A crítica e o livro de artista
Keywords:
Artes - estudo e ensino, Livro do artista, Arte contemporâneaAbstract
When before contemporary artwork, a renewed critical posture should be concerned with the artist’s book in all its forms, including the entire group of comparable objects or documents that share corresponding exhibition spaces, although they are conceptually different.
References
ARTFORUM. New York: Artforum International Magazine, v.2, n.9, p. 55, 1964, March 1964.
CARRIÓN, Ulises. Bookworks revisited. In: ____. Quant aux livres/ On books. Genève: Héros-Limite, 1997. p.71, 166. (Conferência de 1979, com publicação em 1980; apresentações de Clive Phillpot e Anne Moeglin- Delcroix.)
FREIRE, Cristina. Poéticas do processo: arte conceitual no museu. São Paulo: MAC-USP/Iluminuras, 1999.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the a Creative Commons Attribution-NonCommercial 4.0 International License that permits sharing of the work with acknowledgement of authorship and initial publication in this journal;
- Authors are permitted to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., the Creative Commons Attribution License).
- Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their home page) at any point before or during the editorial process, as this may generate productive changes as well as increase the impact and citation of the published work.
- It is the responsibility of the authors to obtain written permission to use in their articles materials protected by copyright law. Revista PÓS is not responsible for copyright breaches made by its contributors.
| 
