Gesture on percussion performance, Part 2

correspondence factorial analysis of experimental data

Authors

  • Fernando Chaib University of Minas Gerais (Brazil) https://orcid.org/0000-0001-9606-6335
  • Homero Chaib Filho Federal Institute of Education, Science and Technology, Goiânia, GO
  • João Catalão SIxtrum / University of Montreal, Canadá

Keywords:

Gesture influence in performance, Percussion, FAC, Sensations in performing

Abstract

This paper, Part 2 of the same study, presents the results of the experiment "Sensation of continuity of a musical excerpt" (CHAIB et. al. 2013) analyzed using the statistical technique Factor Analysis of Correspondences (FAC). The main objective of this analysis is to look through indexes, the influence of gesture in conveying sensations of continuity, suspension and conclusion on the performance on percussion. Once achieved the goal will be possible to generalize the results in performances conducted on the same lines presented in the experiment.

Author Biographies

  • Fernando Chaib, University of Minas Gerais (Brazil)

    Fernando Chaib is Doctor and Master in Music/Performance by the Department of Communication and Art of the University of Aveiro (Portugal) and graduated in percussion by UNESP. He has won awards as soloist and chamber musician in countries such as Italy, Portugal and Brazil. He has been performing in the Asian, European and American continents. He has articles in the main periodicals specializing in music in Brazil and in congresses abroad. He is currently a professor at the Federal Institute of Goiás, where he coordinates the Center of Excellence for Teaching, Research and Performance in Percussion - NΞP³/IFG (which integrates the Center of Excellence for Teaching, Research and Performance in Percussion - CΞP³).

  • Homero Chaib Filho, Federal Institute of Education, Science and Technology, Goiânia, GO

    Homero Chaib Filho has a PhD in Applied Mathematics from the Escuela Técnica Superior de Ingenieros Agrónomos de la Universidad de Madrid (Spain), and is a retired researcher from EMBRAPA. He has presented papers at conferences in Europe, Asia and America. He has national and international publications.

  • João Catalão, SIxtrum / University of Montreal, Canadá

    João Catalão is Doctor in Music/Performance by the University of Montreal (Canada), having specialized at the Conservatory of Strasbourg (France) and graduated at UFSM. He is a member of the percussion groups KT-Z (Brazil) and Sixtrum (Canada). He plays in countries in the European and American continent.

References

BATISTA, J.M., e J. SUREDA (1987). Análisis de correspondencias y técnicas de clasificación: Su interés para la investigación en las ciencias sociales y del comportamiento. Infancia y Aprendizaje n.39/40: 171-186.

BARROSO, L. P. (2003). Analise Multivariada. Colóquio na 48a Reunião da RBRAS e 10o SEGRO. Lavras.

CHAIB, F. (2013) “Três Perspectivas Gestuais para uma Performance Percussiva: Técnica, Interpretativa e Expressiva”. Per Musi 27, p.159-181. Belo Horizonte.

________ (2012) O Gesto na Performance em Percussão: Uma Abordagem Sensorial e Performativa. Tese de Doutorado. Departamento de Comunicação e Arte da Universidade de Aveiro. Aveiro.

CHAIB, F. J. CATALÃO, H. CHAIB FILHO (2013) “A Influência do Gesto na Performance em Percussão: Análise Descritiva de Dados Experimentais”. Per Musi ???. Belo Horizonte.

LEBART, L.; A. MORINEA e M. PIRON. (2002). Statistique exploratoire multidimensionnelle. 3a ed. Paris: Dunod.

SANTIAGO, P. e A. MEYEREWICZ (2009). “Considerações piercinanas sobre o gesto na performance do Grupo UAKTI”. Per Musi n.20: 83-91. Belo Horizonte.

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Published

2015-06-10

Issue

No. 31 (2015): General Topics

Section

Articles in Portuguese/Spanish

License

Copyright (c) 2015 Per Musi

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

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Except where otherwise noted, contents on this site are licensed under a  Creative Commons - Atribuição 4.0 Internacional.

How to Cite

“Gesture on Percussion Performance, Part 2: Correspondence Factorial Analysis of Experimental Data”. 2015. Per Musi, no. 31 (June): 1-14. https://periodicos.ufmg.br/index.php/permusi/article/view/38527.

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