Horizontal and Collaborative Practices with Kaingang Indigenous Communities
Art as a Ground to Carry Out Actions
DOI:
https://doi.org/10.35699/2238-2046.2023.45499Keywords:
Art and life, Kaingang culture, Indigenous Community, Collaborative ArtAbstract
The artistic practices presented in this text are actions developed collectively, in the
relationship between artists, non-artists, communities and indigenous individuals and are
carried out both in public and private spaces, in local territories and in a global network. By
describing the actions proposed by the Kame and Kanhru Affective DNA Project, we seek to
legitimize art as a field of realization and transformation by generating meaning,
subversion and reflection. In this way, we bring Allan Kaprow's concept of art and life, in
dialogue with other theorists in the artistic field, to discuss collaboration in art, since
collaborative artistic practices, from the 1980s/1990s onwards, were gaining the shape of
an artistic category and creating specificities when working directly with communities and
their urgencies.
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