Vol. 14 No. 30 (2024): Jan-Abril

Dossiê

• Apresentação ao Dossiê Memória, techné e demora

  Carlos Henrique Falci, Mariana Petry Cabral, Alexandre Romariz Sequeira

  1-10

  • PDF (Portuguese)

• From Snapshot to Anachrony Photography as a Tool of Delay in the Production of a Melancholy of the Present

  Taila Idzi, Maria do Carmo De Freitas Veneroso

  11-41

  • PDF (Portuguese)

• The Sketch is a Time’s Scrawl

  Renata Froan, João Vilnei de Oliveira Filho

  42-58

  • PDF (Portuguese)

• Time Crossings in Scientific Research Between the Objectivity of Deadlines and the Subjectivity of Knowledge

  Luis Mauro Sá Martino, Ângela Cristina Salgueiro Marques

  59-85

  • PDF (Portuguese)

• Tradition and Innovation Teaching Experience and Artistic Exploration of Crochet Through Computing

  André Luiz Silva, Soraya Aparecida Alvares Coppola

  86-109

  • PDF (Portuguese)

• Uncertain insights

  Diego Belo

  110-130

  • PDF (Portuguese)

• Women, Wind and Geo-graphy

  Elisa Rezende Quintero

  131-145

  • PDF (Portuguese)

• Gabriela Mureb Totem and Engine

  Vinicius Portella Castro

  146-162

  • PDF (Portuguese)

• About Art, Technique and Time Ritxòkòs

  Cássia Macieira

  163-179

  • PDF (Portuguese)

• From the Problem of Space to Criticism of Representation Approaches Between Carl Einstein and Antonin Artaud

  Cássio Gulherme Barbieri

  180-206

  • PDF (Portuguese)

• Ways of Making (Art) The Designer-like, the Montage Maker, the Proposer

  Artur Correia de Freitas

  207-232

  • PDF (Portuguese)

• Reinvention of a Gesture Drawing and Its Origins

  Flávio Roberto Gonçalves

  233-246

  • PDF (Portuguese)

• Biocultural Memory as a Sign in the Art of the Brazilian Amazon

  Elloane Carinie Gomes e Silva, Bruno de Oliveira da Silva

  247-271

  • PDF (Portuguese)

• The Graffiti on Belém’s River (PA) The Visual Sign of Art on Combu Island

  Will Montenegro Teixeira, Lucilinda Ribeiro Teixeira, José Ferreira Junior

  272-309

  • PDF (Portuguese)

• This Life is a Carnival The Dialogue Between the Teatro da Madrugada by Carlos Machado and the Revelry of Rio de Janeiro

  Maximiliano Marques, Felipe Ferreira

  310-337

  • PDF (Portuguese)

• Pathways of Poverty and Inequality Art as an Instrument of Resistance

  Hemetério Araújo, Solonildo Almeida da Silva

  338-378

  • PDF (Portuguese)

• The Configuration of Tragicity in Blood Wedding Death Stages

  Elisana De Carli

  372-384

  • PDF (Portuguese)

• Steven Spielberg’s Technical-Subjective Dialectic Analysis of the Opening Sequence of the Film The Fabelmans (The Fabelmans, USA, 2022)

  Rafael Fava Belúzio

  385-402

  • PDF (Portuguese)