Vol. 12 No. 26 (2022): set/dez

Biofilia, de Brígida Campbel
Published: 2022-12-19

Full Issue

Articles

  • The cinema of the enchanted dialogues between oral and cinematographic narratives in Tefé’s Popular Cinema

    Eliane Góis da Silva, Veronica Prudente Costa, Guilherme Gitahy de Figueiredo
    7-35
    DOI: https://doi.org/10.35699/2237-5864.2022.36146

  • Rituals, states of trance and sacralization mystical experiences in the formation processes of scene artists

    Saulo Vinícius Almeida
    36-60
    DOI: https://doi.org/10.35699/2237-5864.2022.38012

  • Perversion, rebelliousness, and feminist practices in the artistic expressions of Fernanda Magalhães

    Muriel Emídio Pessoa do Amaral
    61-83
    DOI: https://doi.org/10.35699/2237-5864.2022.38504

  • Ecocentric corporeality and expanded dramaturgy in videoecoperformance dance, ecology and cognition

    Sandra Corradini
    84-113
    DOI: https://doi.org/10.35699/2237-5864.2022.38753

  • To start is also a gesture

    Rachel Cecília de Oliveira
    114-129
    DOI: https://doi.org/10.35699/2237-5864.2022.41130

  • Emiliano Di Cavalcanti and Massimo Campigli and the vertigo of female figures

    Renata Dias Ferraretto Moura Rocco
    130-152
    DOI: https://doi.org/10.35699/2237-5864.2022.40903

  • Honório Esteves construction of the modern artist in Minas Gerais

    Rodrigo Vivas
    153-171
    DOI: https://doi.org/10.35699/2237-5864.2022.40235

  • Mechanical rhythm (and other traits) on music atthe beginning of the 20th century

    Wolney Unes
    172-192
    DOI: https://doi.org/10.35699/2237-5864.2022.37165

  • Driving through an uninhabitable land Excuse me, while I disappear by Michael MacGarry

    Valdir Pierote Silva
    193-211
    DOI: https://doi.org/10.35699/2237-5864.2022.35750

  • From emotion to tears notes on Georges Didi-Huberman and the political and epistemological turn of his gaze

    Ricardo Fernando Ferreira Lessa Filho
    212-239
    DOI: https://doi.org/10.35699/2237-5864.2022.40705

  • A sea in tiles The waves of Varejão and Warburg’s Pathosformeln

    Adriel Dalmolin Zortéa, Vera Pugliese
    240-266
    DOI: https://doi.org/10.35699/2237-5864.2022.39721

  • The “Roda Viva” program and some memories of the past Ana Mae Barbosa and the new post-modernist paradigm of Art/Education

    Isac dos Santos Pereira
    267-294
    DOI: https://doi.org/10.35699/2237-5864.2022.38934

  • Contemporary drawing trends procedures towards space and pedagogical practices

    Jéssica Araújo Becker
    295-329
    DOI: https://doi.org/10.35699/2237-5864.2022.38610

Entrevista

Ensaio visual

  • Biophilia

    Brígida Campbell
    365-378
    DOI: https://doi.org/10.35699/2237-5864.2022.41830

Artists' writings

  • The academic text as a performance space

    Debora Pazetto
    379-400
    DOI: https://doi.org/10.35699/2237-5864.2022.38254