Vol. 13 No. 28 (2023): Maio-Ago: Arte pública e suas encruzilhadas

Editorial

• Editorial

  Rachel Cecília de Oliveira, Rita Lages Rodrigues

  1-6

  • PDF (Português (Brasil))

Traduce

• From site to community in new genre public art the case of Culture in Action (Part I)

  Miwon Kwon; Rízzia Rocha, Anna Luiza Coli

  7-30

  • PDF (Português (Brasil))

Dossiê

• Other “encruzas” for public art elements of amerindian and afrodiasporic cosmovisions in the weave between alternative temporalities, communities with multiplicities and different teachings

  Marcelo Simon Wasem

  31-58

  • PDF (Português (Brasil))

• The common, the community (and its opposites)

  Daniel Filipe Carvalho

  59-74

  • PDF (Português (Brasil))

• Horizontal and Collaborative Practices with Kaingang Indigenous Communities Art as a Ground to Carry Out Actions

  Kalinka Lorenci Mallmann, Andreia Machado de Oliveira

  75-90

  • PDF (Português (Brasil))

• Instances of urban artistic interventions in Sala de Estar and Casa Pública projects

  Mariana Gonçalves Paraizo Borges, Meriney dos Santos Horta

  91-116

  • PDF (Português (Brasil))

• Invisible, visible The Representation of the Immaterial in the Works Questions and Popular Poetics by Abigail Reyes

  Libia Alejandra Castañeda Lopez

  117-136

  • PDF (Español (España))

• The Docilization of Public Art Post-Graffiti and Gentrification in Rio de Janeiro's Port Zone

  Luiz Sérgio de Oliveira

  137-159

  • PDF (Português (Brasil))

• The City as an Expanded Home

  Mariana Fonseca Laterza

  160-187

  • PDF (Português (Brasil))

• On Anti-Monuments and Feminist Collaboration, an Analysis of Glorieta de las Mujeres que Luchan

  Gabriela Traple Wieczorek

  188-211

  • PDF (Português (Brasil))

Entrevista

• The Crossroads of Memory When Public Art Overthrows the Monuments of Military Dictatorships

  Alexandre de Albuquerque Mourão, Sara Vasconcelos Cruz

  212-229

  • PDF (Português (Brasil))

• The Invisible as Visible Memory The Photographic Event and the Fabrication of the Real from Three Brazilian Photographers

  Bárbara Lissa, Maria Vaz, Carlos Falci, Bruni Emanuele Fernandes

  230-248

  • PDF (Português (Brasil))

• Decolonial Gaze Black Theatre as a Main Point on the Agenda

  Elisa Belém

  249-266

  • PDF (Português (Brasil))

• Daguerreotypes by Agnès Varda aesthetics and politics in the figurations of intimacy

  Fernanda Albuquerque de Almeida

  267-287

  • PDF (Português (Brasil))

• Zimbo Trio in film musical genres and audiovisual analysis

  Fábio Uchôa

  288-316

  • PDF (Português (Brasil))

• When time becames space the song as a “time-suppressing machine”

  Alexandre Siqueira de Freitas

  317-342

  • PDF (Português (Brasil))

• Appearences of Death in Kantor and Rimini Protokoll

  Bruno Leal Piva

  343-361

  • PDF (Português (Brasil))

• “Craftsmen of the art of painting and gilding” teaching, learning and work relations in the Capitany of Minas Gerais – 18th century

  Luciana Braga Giovannini

  • PDF (Português (Brasil))

Ensaio visual

• Instaurando Portais na Serra do Curral

  Augusto Henrique Lopes Costa, Ricardo Biriba

  392-396

  • PDF (Português (Brasil))

• Visual poetics of the encounter while photographing the scenic performance of Neci

  Daniel Macêdo

  397-408

  • PDF (Português (Brasil))