Vol. 12 No. 24 (2022): Film Analysis

Published: 2022-04-28

Full Issue

Edição completa (Portuguese)

Editorial

Considerations on film analysis

Ana Lúcia Menezes Andrade

7-10
- PDF (Portuguese)

Articles - Thematic section

Faced with the film analysis as a translation of an audiovisual thought

Erika Savernini

11-30
- PDF (Portuguese)
The Secret of the Cave

Heitor Capuzzo

31-55
- PDF (Portuguese)
From poetry to testament a few aspects regarding Jean Cocteau’s films

Wellington Júnio Costa

56-74
- PDF (Portuguese)
To Capture a Butterfly Intertextuality as a biographical gesture in I’m not there

Daniel Oliveira Silva, Ana Catarina dos Santos Pereira

75-99
- PDF (Portuguese)
Obsession and vertigo: an interfilmic analysis of Brian de Palma’s Obsession and Alfred Hitchcock’s Vertigo

Renato Silveira

100-123
- PDF (Portuguese)
Una giornata particolare (1977) cinema, art and humor against totalitarian language

Volmir Cardoso Pereira, Keyla Andrea Santiago Oliveira

124-141
- PDF (Portuguese)
The national and the narrative game civilization and barbarism in Nueve Reinas (Argentina, 2000), directed by Fabián Bielinsky

Eduardo Dias Fonseca

142-161
- PDF (Portuguese)
Personal is political analysis of the film O Desafio (Paulo Cesar Saraceni, 1967)

Carolinne Mendes da Silva, Aline Fernandes Carrijo

162-178
- PDF (Portuguese)
Displacements, power and identity in the film O Cárcere e a rua

Adriano Medeiros da Rocha, Nathália Vergara

179-199
- PDF (Portuguese)
Bahia-American Cinema Mastery of Classical Narrative in Redenção

Ana Luisa de Castro Coimbra

200-216
- PDF (Portuguese)
A figural character Eduardo Coutinho's Playing

Diego Damasceno

217-237
- PDF (Portuguese)
Stylistic analysis and narrative reverberations in Gilda de Abreu's O Ébrio (1946)

Margarida Maria Adamatti

238-262
- PDF (Portuguese)
The shattering of time in Abril despedaçado[novel and film]

Deivanira Vasconcelos Soares, Saulo Lopes de Sousa

263-288
- PDF (Portuguese)
A Woman under the Influence A body's revolt against domestic space

Maria Chiaretti

289-309
- PDF (Portuguese)
Taste of blood Gothic horror and monstrous desires in contemporary Brazilian queer cinema

Henrique Rodrigues Marques

310-330
- PDF (Portuguese)
Possession films the ecstasy of rapture as a spectacle of baroque eroticism

Giancarlo Couto, Carlos Gerbase

331-357
- PDF (Portuguese)
English Allegory of terror resignifying Trilogy of terror (1968)

Felipe do Monte Guerra, Carlos Gerbase

358-387
- PDF (Portuguese)
The spectrum of sound as a film analysis tool

Débora Opolski, Rodrigo Carreiro

388-414
- PDF (Portuguese)
Basic principles for the analysis of the enunciative graphic forms and options in animation

Marina Estela Graça

415-431
- PDF (Portuguese)
Analysis of Chilean animated film, methodological notes and procedures

Felipe Silva Montellano

432-447
- PDF (Portuguese)

Vol. 12 No. 24 (2022): Film Analysis

Full Issue

Editorial

Considerations on film analysis

Articles - Thematic section

Faced with the film analysis as a translation of an audiovisual thought

The Secret of the Cave

From poetry to testament a few aspects regarding Jean Cocteau’s films

To Capture a Butterfly Intertextuality as a biographical gesture in I’m not there

Obsession and vertigo: an interfilmic analysis of Brian de Palma’s Obsession and Alfred Hitchcock’s Vertigo

Una giornata particolare (1977) cinema, art and humor against totalitarian language

The national and the narrative game civilization and barbarism in Nueve Reinas (Argentina, 2000), directed by Fabián Bielinsky

Personal is political analysis of the film O Desafio (Paulo Cesar Saraceni, 1967)

Displacements, power and identity in the film O Cárcere e a rua

Bahia-American Cinema Mastery of Classical Narrative in Redenção

A figural character Eduardo Coutinho's Playing

Stylistic analysis and narrative reverberations in Gilda de Abreu's O Ébrio (1946)

The shattering of time in Abril despedaçado[novel and film]

A Woman under the Influence A body's revolt against domestic space

Taste of blood Gothic horror and monstrous desires in contemporary Brazilian queer cinema

Possession films the ecstasy of rapture as a spectacle of baroque eroticism

English Allegory of terror resignifying Trilogy of terror (1968)

The spectrum of sound as a film analysis tool

Basic principles for the analysis of the enunciative graphic forms and options in animation

Analysis of Chilean animated film, methodological notes and procedures

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Vol. 12 No. 24 (2022): Film Analysis

Full Issue

Editorial

Articles - Thematic section

Information

Language

Make a Submission

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