Vol. 12 No. 24 (2022): Film Analysis

View Vol. 12 No. 24 (2022): Film Analysis
Published: 2022-04-28

Full Issue

Editorial

Articles - Thematic section

  • Faced with the film analysis as a translation of an audiovisual thought

    Erika Savernini
    11-30
    DOI: https://doi.org/10.35699/2237-5864.2022.37097

  • The Secret of the Cave

    Heitor Capuzzo
    31-55
    DOI: https://doi.org/10.35699/2237-5864.2022.37099

  • From poetry to testament a few aspects regarding Jean Cocteau’s films

    Wellington Júnio Costa
    56-74
    DOI: https://doi.org/10.35699/2237-5864.2022.36059

  • To Capture a Butterfly Intertextuality as a biographical gesture in I’m not there

    Daniel Oliveira Silva, Ana Catarina dos Santos Pereira
    75-99
    DOI: https://doi.org/10.35699/2237-5864.2022.35184

  • Obsession and vertigo: an interfilmic analysis of Brian de Palma’s Obsession and Alfred Hitchcock’s Vertigo

    Renato Silveira
    100-123
    DOI: https://doi.org/10.35699/2237-5864.2022.36137

  • Una giornata particolare (1977) cinema, art and humor against totalitarian language

    Volmir Cardoso Pereira, Keyla Andrea Santiago Oliveira
    124-141
    DOI: https://doi.org/10.35699/2237-5864.2022.36147

  • The national and the narrative game civilization and barbarism in Nueve Reinas (Argentina, 2000), directed by Fabián Bielinsky

    Eduardo Dias Fonseca
    142-161
    DOI: https://doi.org/10.35699/2237-5864.2022.35560

  • Personal is political analysis of the film O Desafio (Paulo Cesar Saraceni, 1967)

    Carolinne Mendes da Silva, Aline Fernandes Carrijo
    162-178
    DOI: https://doi.org/10.35699/2237-5864.2022.36135

  • Displacements, power and identity in the film O Cárcere e a rua

    Adriano Medeiros da Rocha, Nathália Vergara
    179-199
    DOI: https://doi.org/10.35699/2237-5864.2022.36144

  • Bahia-American Cinema Mastery of Classical Narrative in Redenção

    Ana Luisa de Castro Coimbra
    200-216
    DOI: https://doi.org/10.35699/2237-5864.2022.36138

  • A figural character Eduardo Coutinho's Playing

    Diego Damasceno
    217-237
    DOI: https://doi.org/10.35699/2237-5864.2022.36142

  • Stylistic analysis and narrative reverberations in Gilda de Abreu's O Ébrio (1946)

    Margarida Maria Adamatti
    238-262
    DOI: https://doi.org/10.35699/2237-5864.2022.35071

  • The shattering of time in Abril despedaçado[novel and film]

    Deivanira Vasconcelos Soares, Saulo Lopes de Sousa
    263-288
    DOI: https://doi.org/10.35699/2237-5864.2022.36155

  • A Woman under the Influence A body's revolt against domestic space

    Maria Chiaretti
    289-309
    DOI: https://doi.org/10.35699/2237-5864.2022.36149

  • Taste of blood Gothic horror and monstrous desires in contemporary Brazilian queer cinema

    Henrique Rodrigues Marques
    310-330
    DOI: https://doi.org/10.35699/2237-5864.2022.36150

  • Possession films the ecstasy of rapture as a spectacle of baroque eroticism

    Giancarlo Couto, Carlos Gerbase
    331-357
    DOI: https://doi.org/10.35699/2237-5864.2022.33538

  • English Allegory of terror resignifying Trilogy of terror (1968)

    Felipe do Monte Guerra, Carlos Gerbase
    358-387
    DOI: https://doi.org/10.35699/2237-5864.2022.35730

  • The spectrum of sound as a film analysis tool

    Débora Opolski, Rodrigo Carreiro
    388-414
    DOI: https://doi.org/10.35699/2237-5864.2022.36118

  • Basic principles for the analysis of the enunciative graphic forms and options in animation

    Marina Estela Graça
    415-431
    DOI: https://doi.org/10.35699/2237-5864.2022.37100

  • Analysis of Chilean animated film, methodological notes and procedures

    Felipe Silva Montellano
    432-447
    DOI: https://doi.org/10.35699/2237-5864.2022.37098