Vol. 14 No. 32 (2024): Set/Dez

View Vol. 14 No. 32 (2024): Set/Dez
Published: 2024-10-21

Full Issue

Editorial

  • Máscaras e mascaramentos performativos entre formas, manifestações e aparições diversas

    Bya Braga , Marcelo Rocco, Júlia Camargos , Tamira Mantovani
    7-12
    DOI: https://doi.org/10.35699/2238-2046.2024.54530

Dossiê

  • WE, GIRL CARETOS The Inclusion of Women in Street Masquerades

    Silvia Sueli Santos da Silva, Wellingson Valente dos Reis
    13-35
    DOI: https://doi.org/10.35699/2238-2046.2024.52776

  • The gender mask Disfigurements in the Reisado de Caretas of Família Ramos in Canindé-Ceará

    Ribamar José de Oliveira Junior
    36-62
    DOI: https://doi.org/10.35699/2238-2046.2024.52756

  • The carranca-sign in the affective handicrafts of the Dama do Barro Readings around the creative processes of Ana das Carrancas

    Roberta de Sousa Mélo, Rafael de Oliveira Rodrigues
    63-84
    DOI: https://doi.org/10.35699/2238-2046.2024.52745

  • Experiences, Sculptures and Masks

    Elisa Rossin
    85-105
    DOI: https://doi.org/10.35699/2238-2046.2024.52747

  • (Un)Maskings An Analysis of Three Theatrical Scenes from Pigmalião Escultura que Mexe

    Mariliz Regina Schrickte
    106-127
    DOI: https://doi.org/10.35699/2238-2046.2024.52741

  • Masking, Memory, and Affective Objects A Cartography of Creation Processes

    Anibal José Pacha Correia, Larissa Latif Plácido Saré
    128-151
    DOI: https://doi.org/10.35699/2238-2046.2024.52654

  • Looking for the Buffoon State in the Buffoon Masquerade

    André Alencar, Ana Caldas Lewinsohn
    152-174
    DOI: https://doi.org/10.35699/2238-2046.2024.52655

  • Collection of Masks Literality, Virtuality and Plurality of the Mask in the Game of Identities Between Modern and Contemporary Performance

    Ricardo Maurício Gonzaga
    175-201
    DOI: https://doi.org/10.35699/2238-2046.2024.52673

  • The Golden Age of the Théâtre du Soleil Creative Process and Mask-Bodies in the 1975’s Show

    Fausto Roberto Poço Viana, Juliana de Lima Birchal
    202-227
    DOI: https://doi.org/10.35699/2238-2046.2024.52742

  • Skins and Cloths of the Scene: Performance Sulcos and the Materiality of the Zero Degree of Costume

    Ana Hoffmann
    228-252
    DOI: https://doi.org/10.35699/2238-2046.2024.52671

  • The Disappearance of the Girl, the Appearance of the Mother and the Birth of the Myth in The Dead Girl Feast (2008) Mirror Images and Persona

    Florence Dravet, Maria Eduarda Affonso
    253-271
    DOI: https://doi.org/10.35699/2238-2046.2024.52376

  • The Masquerade in Film Psychoanalysis and Feminism in Promising Young Woman

    Roberta Oliveira Veiga, Sthael Gomes dos Santos Patrício
    272-300
    DOI: https://doi.org/10.35699/2238-2046.2024.52754

Articles - Open section

  • Remnants of a Mission Presences, Absences, and Memories

    Bruno de Oliveira da Silva
    311-327
    DOI: https://doi.org/10.35699/2238-2046.2024.52170

  • Professional Performance of the Graduate of the Undergraduate Course in Dance Degree at UFMG School of Fine Arts Since Its Creation in 2010 A Field Under Construction

    Ana Cristina Carvalho Pereira, Márcia Strazzacappa
    328-353
    DOI: https://doi.org/10.35699/2238-2046.2024.51045

  • Memory Scars Art, Nature, and Violence in the Works of Ana Mendieta, Enrique Ramrez, Ayrson Heráclito, Danilo Barata, and Giselle Beiguelman

    Priscila Almeida Cunha Arantes
    354-375
    DOI: https://doi.org/10.35699/2238-2046.2024.46296

  • In the Spiral of a Nocturnal Listening Poetry and Topology in Mebs/Caraxia

    Caroline Alciones de Oliveira Leite
    376-399
    DOI: https://doi.org/10.35699/2238-2046.2024.51852

  • Within Objects and Gestures, the Aesthetics of the Vulgar

    Laura Fonseca de Castro
    400-417
    DOI: https://doi.org/10.35699/2238-2046.2024.52667

  • The Creativity of Complexity An Approach from the Evolutionary Cosmology of Charles Sanders Peirce (1839-1914)

    Romilson Marco dos Santos
    418-445
    DOI: https://doi.org/10.35699/2238-2046.2024.48365

  • Like Someone Who Writes Wanting Presence Between Concepts and Self-Narrative Artistic Practices

    Inácio Manoel Neves Frade da Cruz, Helena Souza Neves Frade da Cruz
    446-471
    DOI: https://doi.org/10.35699/2238-2046.2024.52468

  • Ko’ko Bernaldina and her sung Macuxi performance

    Vanessa Augusta do Nascimento Brandão, Ananda Machado
    472-488
    DOI: https://doi.org/10.35699/2238-2046.2024.52622

  • Pictures of Ghosts and Other Portraits

    José Antônio Orlando
    489-512
    DOI: https://doi.org/10.35699/2238-2046.2024.51689

Ensaio visual

  • Visual Essay Process of creating the masks of Matias and the Infinite Road of Tempo

    Anderson Ferreira
    513-526
    DOI: https://doi.org/10.35699/2238-2046.2024.52739

  • Experiencing the Colonial Mask Corpography of a Black Body Violated by Reality

    Rafael Campos, Thiago Liberdade
    527-554
    DOI: https://doi.org/10.35699/2238-2046.2024.52663

  • Great Water Poetic-Investigative Collages of a City that is Born on the Margins and Flows into Rio

    Juliana Gama Assumpção
    555-569
    DOI: https://doi.org/10.35699/2238-2046.2024.52491

  • Building abodes

    Mariana Fonseca Laterza
    570-595
    DOI: https://doi.org/10.35699/2238-2046.2024.48595

Resenha

  • Art and Imagination in Black Worlds by Anne Lafont

    Pedro Ernesto Freitas Lima
    301-310
    DOI: https://doi.org/10.35699/2238-2046.2024.52767