Vol. 9 No. 18: nov.2019 - apr.2020

View Vol. 9 No. 18: nov.2019 - apr.2020

This issue presents, in addition to the open sections, the thematic section "Collaborative practices in the Visual Arts", under the organization and presentation by Prof. Dr. Magali Melleu Sehn.

Published: 2019-11-26

Full Issue

Editorial

Articles - Thematic section

  • Mapear colectivamente la dictadura argentina y sus restos

    Hernán Lopez Piñeyro
    13-28
    DOI: https://doi.org/10.35699/2237-5864.2019.16113

  • The confrontation against a system is not about abandoning it

    Ana Pato, Joana Zatz Mussi
    29-57
    DOI: https://doi.org/10.35699/2237-5864.2019.16114

  • The sharing of the common in the performance Contra X Tempo Collaborative creative process as an aesthetic and political act

    Hugo Fortes, Yiftah Peled, Marcos Martins, Tiago Cardoso Gomes, Luciana Magno, Leandra Espírito Santo, Síssi Fonseca
    58-86
    DOI: https://doi.org/10.35699/2237-5864.2019.16116

  • Feeling through Networking Aesthetic Net-Activism in the Collaborative Action ‘Letters to the Earth’

    Marina Magalhães
    87-104
    DOI: https://doi.org/10.35699/2237-5864.2019.16117

  • For an aesthetic epistemology from collaborative thinking in fine arts to contemporary community-based art practices and their new type-artistes

    Rachel Falcão Costa
    105-128
    DOI: https://doi.org/10.35699/2237-5864.2019.16118

  • Artistic practice in Kaingang indian community For a collaborative methodology

    Kalinka Lorenci Mallmann, Andreia Machado Oliveira, Marcelo Eugenio Soares Pereira
    129-147
    DOI: https://doi.org/10.35699/2237-5864.2019.16119

  • GIA and PORO Colaborative artistic practice and public production of the urban area

    Ludmila Britto, Marcelo Faria
    148-171
    DOI: https://doi.org/10.35699/2237-5864.2019.16120

  • Atrocidades Maravilhosas and Tupinambá Lambido imaging occupations in the city of Rio de Janeiro between Politics, Affection and Art

    Laura Burocco
    172-197
    DOI: https://doi.org/10.35699/2237-5864.2019.16121

  • Collaborative methodology in visual arts as a poetic process

    Claudia Vicari Zanatta
    198-210
    DOI: https://doi.org/10.35699/2237-5864.2019.16122

  • Waltz with Bashir Tactics, territories, spaces and art resistance

    Ana Cláudia de Freitas Resende
    211-229
    DOI: https://doi.org/10.35699/2237-5864.2019.16123

  • Corporeity frames and stamps in Fernanda Magalhães Collaborative artistic actions in favor of difference

    Júlia Mello
    230-245
    DOI: https://doi.org/10.35699/2237-5864.2019.16124

  • Los Ingobernables Arte, Hackers, Colaboratividad y Resiliencia en la era de la Cultura Postdigital

    Fernando Luiz Ferreira Rabelo
    246-265
    DOI: https://doi.org/10.35699/2237-5864.2019.16125

Articles - Open section

  • The sung “cinema” of the Maxakali

    Charles Antônio de Paula Bicalho
    266-285
    DOI: https://doi.org/10.35699/2237-5864.2019.16111

  • Edward Yang revisited Imagery, autofiction and temporality

    Marcos Aurélio Felipe
    286-311
    DOI: https://doi.org/10.35699/2237-5864.2019.16115

  • Suspending space and time The body seen under the lens of the Japanese concept of Ma

    Maria Cristina Elias Meneghetti, Priscila Arantes
    312-341
    DOI: https://doi.org/10.35699/2237-5864.2019.16126

  • The senseless bodies of Laurent Goldring

    Osvaldo Fontes Filho
    342-366
    DOI: https://doi.org/10.35699/2237-5864.2019.16128

  • A Revista Martín Fierro e a promoção das artes de vanguarda na Argentina

    Helaine Nolasco Queiroz
    367-396
    DOI: https://doi.org/10.35699/2237-5864.2019.16130

  • Landscape Reframes in the 1970s Manfredo Souzanetto and Décio Noviello at the National Art Exhibitions

    Rodrigo Vivas
    397-418
    DOI: https://doi.org/10.35699/2237-5864.2019.16131

Resenha

  • Review of Ana Del Tabor Vasconcelos Magalhães' PhD thesis

    Ana Mae Tavares Bastos Barbosa
    438-444
    DOI: https://doi.org/10.35699/2237-5864.2019.16129

Entrevista