Vol. 15 No. 33 (2025): Jan-abril

View Vol. 15 No. 33 (2025): Jan-abril
Published: 2025-01-31

Full Issue

Editorial

  • DOSSIÊ TEMÁTICO -A Curricularização Da Extensão: Artes, Universidade e Comunidade

    Marcelo Rocco, Ricardo Carvalho de Figueiredo, Renata Patrícia Silva, Thiago Carvalho Meira
    DOI: https://doi.org/10.35699/2238-2046.2025.56547

Articles - Open section

  • Becoming-pombagira cuir monstrosities in the Reinado Catiço dos Brasils

    Raphael Ribeiro da Silva, Flávia Lages de Castro
    294-314
    DOI: https://doi.org/10.35699/2238-2046.2025.53707

  • The overt figuration of homosexuality in Tennessee Williams’ late plays written between 1970 and 1983

    Luis Marcio Arnaut de Toledo
    315-338
    DOI: https://doi.org/10.35699/2238-2046.2025.54353

  • The happening of a rift about the caesura of a floor

    Igor Guatelli
    339-359
    DOI: https://doi.org/10.35699/2238-2046.2025.53646

  • Hori Aesthetics and Philosophy Innovation and Brazilian Culture in Search of a New Decolonial Epistemology for a Post-Pandemic World

    Rodolfo Ward
    360-389
    DOI: https://doi.org/10.35699/2238-2046.2025.52838

  • Through Me to Eternal Sorrow Performance as Resistance to Catastrophes in Antigonick and Balkan Baroque

    Ana Elisa Oliveira Medrado Drawin, Pedro Henrique Resende Moreira
    390-407
    DOI: https://doi.org/10.35699/2238-2046.2024.52660

  • From rags to riches, from Estella to Cruella The complex web of events that shaped the iconic villain

    Juliana Avila Pereira
    408-434
    DOI: https://doi.org/10.35699/2238-2046.2025.54163

  • Time, memory and oblivion in Dance’s speech Memórias para um menino do ano dois mil (2023) and a post-selfie insurgency

    Daniel Silva Aires
    435-460
    DOI: https://doi.org/10.35699/2238-2046.2025.51511

  • Montage as a technique and a possibility for criticizing modernity. The panel I Saw the World... It Began in Recife.

    Ana Carolina de Freitas Trindade, Fernando Diniz Moreira
    461-485
    DOI: https://doi.org/10.35699/2238-2046.2025.54189

  • Between images and leafing through pages notes on the photographic narrative and the book

    Daniela Nery Bracchi
    486-504
    DOI: https://doi.org/10.35699/2238-2046.2025.52243

  • Urban Ecomuseum Surface Tension

    Claudia Vicari Zanatta, Osvaldo (Vado) Vergara Borges
    505-527
    DOI: https://doi.org/10.35699/2238-2046.2025.48698

  • Classical reminiscences and the “exercise of morality” in Auto da Compadecida, by Ariano Suassuna

    Eduardo Soczek Mendes, Jaynnoã Fernando Silva Lopes
    528-553
    DOI: https://doi.org/10.35699/2238-2046.2025.52630

  • The Animated Characters of The Bizarre Fish from the Abyssal Zone

    Marcelus Gaio Silveira de Senna, Eliane Muniz Gordeeff
    554-581
    DOI: https://doi.org/10.35699/2238-2046.2025.53842

  • Antiracism in the Theatrical Environment an Analysis of the Play Le traitement de la nuit (2023)

    Tiago de Brito Cruvinel
    582-609
    DOI: https://doi.org/10.35699/2238-2046.2025.49421

Dossiê

Ensaio visual

  • Holding the sun in one's hands

    Luiza Alcântara Cavalcante
    610-615
    DOI: https://doi.org/10.35699/2238-2046.2025.48686

  • Twelve Centaurs

    Caetano Galindo Borges
    616-633
    DOI: https://doi.org/10.35699/2238-2046.2025.55320

Artists' writings

  • Written diaries from a sound residency reports on the works I did, didn't do or might do one day

    Lucas Carvalho Rôla Santos
    634-660
    DOI: https://doi.org/10.35699/2238-2046.2025.53808