No. 42 (2022): General Topics

View No. 42 (2022): General Topics

Editor-in-Chief: Fernando Chaib

Published: 2022-01-30

Articles

Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps

Luigi Antonio Irlandini

1-15
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DOI: https://doi.org/10.35699/2317-6377.2022.36944
Musical Time in Tōru Takemitsu’s November Steps

Luigi Antonio Irlandini

1-28
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DOI: https://doi.org/10.35699/2317-6377.2022.40417
Tambor y Mejorana Roque Cordero's Rapsodia Panameña

Samuel Robles
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DOI: https://doi.org/10.35699/2317-6377.2022.40211
Role of intrinsic motivation in the process of mastering the piano

Oleksii Nalyvaiko, Anastasiya Bondarenko

1-16
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DOI: https://doi.org/10.35699/2317-6377.2022.39891
Folkloric Nationalism and Essential Nationalism in José Siqueira’s Loanda and Maracatu Elements of the Maracatu folkloric tradition and interpretative suggestions

Dr. Marcel Ramalho

1-24
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DOI: https://doi.org/10.35699/2317-6377.2022.38325

Articles in Portuguese/Spanish

The Black actor, singer and dancer Martinho Corrêa Vasques (1822-1890) lundus, arias, vaudevilles and parodies in the Empire of slavery

Luiz Costa-Lima Neto

1-31
DOI: https://doi.org/10.35699/2317-6377.2022.37599
Perception of professionals of the clarinet in Brazil about anxiety in musical performance

Gueber Pessoa Santos, Pedro Robatto

1-23
DOI: https://doi.org/10.35699/2317-6377.2022.40308
Under-representation of female in music reflections, challenges, prospects of empowerment and protection of gender equality, based on legislative analysis, public policies and actions in this context

Ana Claudia Trevisan Rosário, Daniela Zago Gonçalves da Cunda

1-20
DOI: https://doi.org/10.35699/2317-6377.2022.36925
Under the Muses, on technics an investigation of possible interfaces between post-humanism and music

Marta Castello Branco

1-19
DOI: https://doi.org/10.35699/2317-6377.2022.39909
Music as strategy of ritualization an approach to mapuche ritual practice

Leonardo Díaz-Collao

1-22
DOI: https://doi.org/10.35699/2317-6377.2022.36541
Nonverbal communication in the context of individual violin lessons

Francisco Parente Ramos, António Ricardo Mira

1-21
DOI: https://doi.org/10.35699/2317-6377.2022.39628
Music technical courses in Brazil a mapping

Thrycia Viviane Gadelha Macena Oliveira, Renan Colombo Simões, Alysson Mendes de Oliveira

1-21
DOI: https://doi.org/10.35699/2317-6377.2022.38519
Baroque, transitional, and modern bows under the positivist aegis a discussion of the concept of evolution traditionally applied to the development of the violin bow

Adonhiran Reis, Marcus Held

1-25
DOI: https://doi.org/10.35699/2317-6377.2022.37881
Harmonic gradations in the third movement of the String Quartet n. 2 by György Ligeti the reevaluated concept of micropolyphony

Claudio Vitale

1-26
DOI: https://doi.org/10.35699/2317-6377.2022.37400
Kurze Schatten II compositional procedures and aesthetic principles

Artur Miranda Azzi, Rogério Vasconcelos Barbosa

1-27
DOI: https://doi.org/10.35699/2317-6377.2022.36934
``Double Check Reflective Artistic Cycle’ (CARDC) The proposition of a methodological tool in the field of Artistic Research

Leonardo Vieira Feichas

1-24
DOI: https://doi.org/10.35699/2317-6377.2022.39994
Music therapy approach in chemical dependence based on the Transtheoretical Model of Change

Frederico Gonçalves Pedrosa, Frederico Duarte Garcia, Cybelle Maria Veiga Loureiro

1-16
DOI: https://doi.org/10.35699/2317-6377.2022.36890
Subtlety, intensification and inventiveness musical analysis of drummer Nenê’s performance in “Maracatu” by Egberto Gismonti on the album Sanfona (1981)

Christiano Lima Galvão

1-21
DOI: https://doi.org/10.35699/2317-6377.2022.39810
Self-determination in music media by digital technologies in high school an action research in a state school of Mossoró/RN

Giann Mendes Ribeiro, Gibson Alves Marinho da Silva

1-27
DOI: https://doi.org/10.35699/2317-6377.2022.19979
Elena Badilla’s notebook and the work of Juan Guillermo Jara reflections on musical and guitar-related activity in the city of Talcahuano at the beginning of the twentieth century

Pablo Soto Hurtado, Renato Serrano Muñoz

1-22
DOI: https://doi.org/10.35699/2317-6377.2022.37887
Musical performance anxiety A reflection on the use of strategies of management from a Sport Psychology perspective

Aline Parreiras Gonçalves, Fernanda Torchia Zanon

1-19
DOI: https://doi.org/10.35699/2317-6377.2022.37467
Performance and meaning in the Quilombo do Rio das Rãs band's DVD

Rita de Cássia Mendes Pereira, Elisabete Tâmara Galvão dos Santos

1-19
DOI: https://doi.org/10.35699/2317-6377.2022.36936
The study of choro as a tool and stimulus for musical learning

Johnson Joanesburg Anchieta Machado, Roberto Stepheson Anchiêta Machado

1-12
DOI: https://doi.org/10.35699/2317-6377.2022.35058
The trutruka playing as a representation of Mapuche resistance in the urban popular music scene in the Region of Los Lagos, Chile

Ignacio Soto-Silva, Javier Silva-Zurita, Franco Millán, Myriam Núñez-Pertucé

1-25
DOI: https://doi.org/10.35699/2317-6377.2022.39490

Music Scores

A color which unbends the rainbow

Danilo Bogo

1-50
DOI: https://doi.org/10.35699/2317-6377.2022.36908

Interviews

Early Music, Notation and Performance an interview with Clive Brown

Marcus Held, Clive Brown

1-10
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DOI: https://doi.org/10.35699/2317-6377.2022.39099

Thematic Session Iannis Xenakis

Making Possible the impossible performative ideas and solutions in some Iannis Xenakis' percussion works

Leonardo Labrada, Fernando Chaib, Charles Augusto Braga Leandro

1-19
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DOI: https://doi.org/10.35699/2317-6377.2022.42072
Indonesian references in Iannis Xenakis' Claviers creative process with exogenous material in Pléïades (1978)

Ronan Gil de Morais

1-24
DOI: https://doi.org/10.35699/2317-6377.2022.44450
Orient-Occident by Fulchignoni-Xenakis analysing the relationship between music and image

Makis Solomos, André Villa

1-20
DOI: https://doi.org/10.35699/2317-6377.2022.48275