Vol. 15 No. 34 (2025): maio/ago

View Vol. 15 No. 34 (2025): maio/ago
DOI: https://doi.org/10.35699/
Published: 2025-09-13

Full Issue

Editorial

  • Editorial

    Bya Braga, Marcelo Eduardo Rocco de Gasperi, Flávia Virgínia Teixeira
    DOI: https://doi.org/10.35699/2238-2046.2025.61610

Articles - Open section

  • Shards, Monsters and Prosthesis The Relevance of Collage in the Work of Brazilian Contemporary Artists

    Luiz Renato Montone Pera
    10-35
    DOI: https://doi.org/10.35699/2238-2046.2025.59329

  • Indigenous Body Painting, Between Ecology and the Cosmos and the Historical Struggle Against the Karõ da Aldeia pt

    Sandoval Amparo
    36-60
    DOI: https://doi.org/10.35699/2238-2046.2025.59016

  • Time of Revenge Art as a Way of Suspending the Sky

    Everton Moraes
    61-81
    DOI: https://doi.org/10.35699/2238-2046.2025.56970

  • Matter as Co-Author in Artistic Production -

    Cassandra Pereira, - -, - -
    82-97
    DOI: https://doi.org/10.35699/2238-2046.2025.51364

  • The Myth of Primary Colors An Essay on Arbitrariness of Color Systems

    Paula Mastroberti
    98-123
    DOI: https://doi.org/10.35699/2238-2046.2025.57348

  • Modernism Everywhere Venice Biennale 2024

    Emerson Dionisio Gomes de Oliveira
    124-163
    DOI: https://doi.org/10.35699/2238-2046.2025.54080

  • Intersection Between Translation and Performance in the Haroldian Concept of Transcreation

    Fernanda Goya Setubal, Anderson Bogéa
    164-187
    DOI: https://doi.org/10.35699/2238-2046.2025.55778

  • Sculpting the Invisible Poetics of Absence in Contemporary Latin American Artists

    Ramsés Albertoni Barbosa
    188-219
    DOI: https://doi.org/10.35699/2238-2046.2025.59348

  • Minha fantasma, or the Performance of a Body at the Threshold of the Ground

    Gustavo Clevelares
    220-242
    DOI: https://doi.org/10.35699/2238-2046.2025.52513

  • Gonçalo Mabunda and the Aesthetics of Wreckage Art, Metamorphosis and Market

    Valdir Pierote Silva, Denise Dias Barros
    243-266
    DOI: https://doi.org/10.35699/2238-2046.2025.56973

  • Between Emancipation and Commodification The Struggle for Authenticity in Art

    Elis Karen Rodrigues Onofre Pereira, Eduardo Augusto Farias, Marta Regina Furlan
    267-286
    DOI: https://doi.org/10.35699/2238-2046.2025.57087

  • Flow of Creativity and Sustainability The Role of Art in Shaping a New Perspective and Fostering Ecological Awareness

    Maria Luiza Almeida Cunha de Castro, Rosa De Marco
    287-314
    DOI: https://doi.org/10.35699/2238-2046.2025.58977

  • Adorno and Science FictionCTION:theoretical-aesthetic and dialectical-critical reflections from a footnote Theoretical-Aesthetic and Dialectical-Critical Reflections from a Footnote

    Victor Finkler Lachowski
    315-338
    DOI: https://doi.org/10.35699/2238-2046.2025.57761

  • The Timeless Dimension of Experience Through the Art of Dance Studio Anna Pavlova, a dance school for lifetime

    Tânia Mara Silva Meireles
    339-358
    DOI: https://doi.org/10.35699/2238-2046.2025.52844

  • Extension (curricular) as learning about cultural production in dance

    Neila Cristina Baldi
    359-373
    DOI: https://doi.org/10.35699/2238-2046.2025.53321

  • Potentialities of Digital Technologies in Art Teaching What is Highlighted by Teachers?

    Giuliano Alencar Tibúrcio, Fábio Alexandre Borges, Rosefran Adriano Gonçales Cibotto
    374-398
    DOI: https://doi.org/10.35699/2238-2046.2025.58595

  • Audiovisual Education in Brazil in Times of Neo-Productivism and Barbarism Reflections and Possibilities from Art-Education

    Diego da Silva Vargas
    399-422
    DOI: https://doi.org/10.35699/2238-2046.2025.55920

  • Pedagogical-Critical Appreciation of the Work “Assentamento” by Rosana Paulino The Black Woman's Body in Perspective

    Camila Souza Cunha, Márcia Soares de Almeida
    423-445
    DOI: https://doi.org/10.35699/2238-2046.2025.54767

  • Oralitura and Escrevivência in the Performance of Black Women at the Brazilian Poetry Slam

    Gisett Elizabeth Lara
    446-467
    DOI: https://doi.org/10.35699/2238-2046.2025.52322

  • Greco and Minujín The Pendular Condition in the Early Days of Contemporary Argentine Art

    Rodrigo Hipólito, Angela Grando
    468-493
    DOI: https://doi.org/10.35699/2238-2046.2025.58350

  • Scissors in Action Activations of the Object in the Productions of Rebecca Horn, Anna Maria Maiolino and Sanja Ivekovic

    Larissa Camnev
    494-512
    DOI: https://doi.org/10.35699/2238-2046.2025.54072

Entrevista

  • In Linda Fregni Nagler’s Studio

    Monique Burigo Marin
    513-536
    DOI: https://doi.org/10.35699/2238-2046.2025.55183

Traduce

  • Art and Politics by Vilém Flusser

    Flávio Américo Tonnetti, Gabriel Souza Figueiredo
    537-548
    DOI: https://doi.org/10.35699/2238-2046.2025.58149